In this article I shall employ the word “spiritual” for want of a better. It is not a particularly good word, for it is “emotive,” stirring up sentimental feelings in some people and causing the sympathies of others to shut up like clams. “Personal” is in some ways less objectionable, but a title like “The Personal Basis of Democracy” might suggest a thesis other than I have in mind. Nor is the word “moral” nearly wide enough. As to the meaning (...) of “spiritual” all I can say now is that my readers will have at least some idea of what I am referring to by the time they reach the end of the article. (shrink)

The problem before us is the question: How far is the term ‘ instinct ‘ applicable in ethics? How far is it true to say that instincts are the determinants of the good, or moral, life? And if it is true at all to say they are determinants, how Far is it true?

I want to concentrate on two kinds of talking about the arts. One concerns those aspects of the language of philosophical aesthetics in which generalisations about ‘art’ and ‘the arts’ are made. The other concerns the language of the critic in so far as it can be stated as having a very particular aim: ‘the stimulation’ ‘of interest and the heightening of insight and the education of his ability to make his own appreciative judgments from direct experience’.

Louis Arnaud Reid; Knowledge, Aesthetic Insight and Education, Journal of Philosophy of Education, Volume 7, Issue 1, 30 May 2006, Pages 66–84, https://doi.org/.

Louis Arnaud Reid; XI*—Feeling, Thinking, Knowing, Proceedings of the Aristotelian Society, Volume 77, Issue 1, 1 June 1977, Pages 165–182, https://doi.org/10.1.

Louis Arnaud Reid; Art: feeling and knowing, Journal of Philosophy of Education, Volume 15, Issue 1, 30 May 2006, Pages 43–52, https://doi.org/10.1111/j.1467-97.

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

The main problem which I wish to discuss in this paper may be set out in the form of a very simple question. It is this: What makes an artist—whether he be painter, sculptor, musician, poet, or anything else—desire to produce a work of art and to go on working until he has done so?

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.